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The Dead Rock Stars Club, an extensive list of dead rock stars and people related to rock, when and how they died with links to sites about them - The 1970s. As 2015 began, I had somehow been on the road for the fastest, longest two years of my life. I had kicked the tires hard touring in support of my album Traveling Alone.
Jazz Gumbo. Pasadena’s MUSE/IQUE now in its sixth year of operation continues to meld popular music with classical, while also exploring and including jazz and world music. Rachael Worby, considered to be one of the first women conductors in the country, is MUSE/IQUE’s Artistic Director, Conductor and Founder. She was previously the Conductor of Pasadena Pops Orchestra for 1. Wheeling, West Virginia where she started. Essentially, Worby likes to educate audiences as she conducts, and often in great detail emphasizing playing techniques, musical history and compositional themes. For her organization’s second concert of the summer at Cal- Tech’s Beckman Mall Lawn the focus was SOUL/TOWN, connecting Afro- American gospel roots to the pioneering Motown R& B sound.
The featured artist was Darlene Love, an innovator and legend who worked with little recognition as a backup singer in Southern California from the ‘6. Through the Academy Award winning documentary 2. Feet From Stardom she became a star in her own right.
Rory Gallagher Timeline / Tourdates created by Joachim Matz Maintained by John Ganjamie since 9/2009.
- · America é uma banda britânica de folk rock, country r ock, soft rock e pop rock que foi muito popular no início e meio dos anos 1970. Embora eles não.
- THE ALLMAN BROTHERS BAND Richard Mancini Sr. Renee' Mancini Richard Mancini Jr. Michelle Mancini Melissa Mancini Kerri & Michael Smith Jaime Ortega.
Worby’s orchestra played symphonic versions of Motown classics with supporting projected graphics on R& B music beginning with Sam Cooke. In conjunction with the “lecture” Love wowed the audience with Cooke’s immortal song “A Change is Going to Come, ” Bill Withers’ gospel tinged “Lean On Me,” and Phil Specter’s gospel rocking “River High, Mountain Deep,” popularized by Tina Turner. Also included were some of Love’s girl groups’ songs like “Wait Til My Bobby Gets Home” and "Da Doo Ron Ron," with gospel “Among The Believers” and “His Eye is on the Sparrow.” Additionally, Worby detailed Motown studio legend James Jamerson’s bass line for Marvin Gaye/Tammy Terrell’s “Ain't no Mountain High Enough” with animation and an actual playing by bassist Mike Valerio. August 2. 6th is the next show date with popular tap dancer Savion Glover and singer Joshua Henry from the hit musical Hamilton. For more go to. muse- ique. For Julian Coryell plays music of The Eleventh House at The Blue Whale it was more than a tribute to his father Larry who had died on February 1.
The surviving son humbly thanked the less than half capacity audience for coming and promised that the show would be special. Once the guitarist with Freddie Hendrix- trumpet, Matt Rohde- piano/keyboards, John Lee- bass (actually played in 1. House) and Gergo Borlai- drums began to play soaring “Yin” it became apparent he wasn’t embellishing the situation. After the hard- hitting tune Coryell happily stated, “I feel much better now.” Original 1. House drummer Alphonse Mouzon’s (died December 2. Funky Waltz” came afterwards with searing solos by all with the most notable coming from Coryell and Hendrix. Low- Lee- Tah” a spacey staple of the onetime super fusion group was a mystical high wire interweaving of guitar and trumpet with the other players supporting stalwartly.
Afterwards the guitarist jokingly said, “We don’t want you to think that we’re all animalistic, sweaty, dirty fusion musicians. We have a soft side too.” They then proceeded to play easy flowing and thematic “Joy Ride” written by his father’s original keyboardist Mike Mandel. Coryell was so into playing 1. House compositions that he kept playing while his sidemen took a break. For the interim he switched to acoustic guitar as his father regularly did during shows and rendered beautifully textured “Miss Julie” (written for his mother) and a lightning fast strumming jam.
Upon the band’s return he went back to electric guitar to play Mouzon’s hot grooving “Funky Stuff” that’s on the new 1. House album Seven Secrets (Savoy Jazz) recorded prior to his dad’s and Mouzon’s deaths. As the show was winding down Coryell admitted that playing the music was a way for him to spend time with the departed musicians. Hard- rock like “Ism- Ejercicio,” fusion boogey new track “Dragon’s Way” written by Lee and an unnamed hard edged funk tune showcasing the drummer concluded the monster jamming show. For info about other Julian Coryell shows go to: http: //www.
Kaze the distinguished international quartet with members in France and Japan consist of Satoko Fujii- piano/leader (Japan), Kappa Maki- trumpet (Japan), Christian Bezos- trumpet (France) and Peter Ménard- drums/percussion (France). They have three recordings completed and the latest June includes another pianist and drummer. However, they were not part of the group’s recent 1.
North American tour that included The Blue Whale. In performance trumpets opened with long single notes and long spaces in between that eventually meshed and wavered eerily as Ménard injected cymbal- whistling effects. Upon Fujii’s entrance the composition became grounded by her stark piano playing with a steady drumming foundation, while trumpets continued injecting shrill and gurgling effects and choruses.
Afterwards the pianist generated a buzzing effect by bowing her instrument’s strings as horns played a meandering chorus to meditative wind chime- like gong percussion. From there Maki blared boldly with rapid succession and gurgled in between solely before the others joined in. Drums then solely played almost haphazardly for a section as trumpets came in like an invasion before Bezos played solely and transcended with Maki and drums into muted playing that amazingly sounded electronic. Fujii plucked her stings for simulated electronic effects too and transcended to a creative mix of mesmerizing and macabre playing with some classical and stride elements, while the other players interestingly interacted and had the audience spellbound. The Cajun and Zydeco Stage at the Simi Valley Cajun & Blues Festival stayed pretty true to its roots with probably the only artist resembling a rock star being renowned fiddler Doug Kershaw. He made a repeat performance after ripping away on both of the Blues and Cajun stages last year.
For 2. 01. 7 he had just as good a time on just one stage, first sitting in with the Cajun Trio: Michael Doucet- fiddle/accordion, David Doucet- guitar and Mitch Reed- multi string player. They played acoustic traditional Cajun songs such as “Diggy Liggy Lo” and “Jole Blon.” Kershaw during his own set riled up the audience with rocking and traditional Cajun selections.
Some of them were classic “Louisiana Man,” “On the Bayou” and “Mamou Two- Step.”Accordionist Jo- El Sonnier, the other headliner also joined the Cajun Trio for spirited instrumentals and singing, delighting the audience so much that they called for an encore. Grammy award winning Sonnier’s set was more electric with a full band supporting and jamming along with him. Songs that got the crowd going were traditional oriented “J'Etais au Bal,” rocking “Don’t Get Nervous” and country flavored “If Your Heart Should Ever Roll.”In the realm of zydeco was Big Chief Monk Boudreaux & The Golden Eagles who also did a set on the Blues Stage. Big Chief a Mardi Gras Indian portrayed in the HBO series Treme was flanked by his grandson and his nephew who were also decked out in homemade dazzling sequin and feather- laden costumes.
With the backing band they got into Buddy Miles/Hendrix rock/funk tune “They Don’t Know,” New Orleans staple “Mardi Gras Mambo” and bustling vocal drenched “Oh Mama.” Rounding out the roster were two other groups. The San Diego- based Bayou Brothers who served up a crowd pleasing mix of festive songs like “Dance All Night- Stay a Little Longer,” “High Roller Zydeco” showcasing the band, “That Butt Thing,” “Hot Chili Mama” and “Zydeco Boogaloo.” Crawdaddio also from Southern California were broader in scope mixing country, doo- wop and Cajun. Standout songs were “We Make a Good Gumbo,” “Monkey Business,” “Down Where The River Ends,” “Johnny Can’t Dance” and “Feets Don’t Fail Me Now.” For 2. Marcia Griffiths considered “The Queen of Reggae” who was in the I- Threes, the backing vocal group for Bob Marley and The Wailers, appeared at The Santa Monica Pier for its Twilight Concert Series.